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New York City



Brooklyn Bridge. - Click to enlarge -   © Copyright 2005 Søren Viit Nielsen
 



New York City
March 2005,   page 2
All photos © Copyright 2005 Søren Viit Nielsen


Brooklyn Bridge and Manhattan



 

The Brooklyn Bridge stretches 6016 feet (1834 m) over the East River from Manhattan to Brooklyn and was the first steel-wire suspension bridge in the world.
Construction began in 1869. The bridge was completed fourteen years later and was opened for use on May 24, 1883.

 

 


View of Manhattan from the Esplanade in Brooklyn Heights
 

               NB: Klik på billedet for forstørrelse / Click on photos to enlarge
 



Downtown



View of Downtown from the harbour
- with the Woolworth Building in the middle and the World Financial Center on the right

 


View of Downtown from the harbour

 

Left: The Statue of Liberty

Right: Downtown and the South Street Seaport with its tall sailing ships - viewed from the East River

 


 

 

 



The World Financial Center
 


The World Financial Center. The Winter Garden is seen in the centre
 


Ground Zero.
 


The World Financial Center. The Woolworth Building is seen behind the Winter Garden

 

The World Financial Center is a group of four towers, completed in 1988 as a centerpiece for the new Battery Park City, built on the Hudson River landfill next to the World Trade Center. The towers have steplike Art Deco style set-backs. The facades are of granite and glass, the size of individual windows increasing with each set-back, changing the facades gradually from predominantly stone-clad to a curtain wall. The towers are distinguishable by their post-modern, differently shaped copper roofs.
A prominent Lower Manhattan landmark and the centerpiece of the World Financial Center complex, the Winter Garden was severely damaged following the collapse of the World Trade Center towers in the September 11th, 2001 attacks. The 10-story marble and glass Winter Garden atrium has reopened to the public following an intensive restoration effort. It is the first major building damaged in the September 11 attack to be completely restored.

Ground Zero: In 2004 the cornerstone was laid for the new Freedom Tower, designed by Studio Daniel Libeskind to be the world's tallest skyscraper, which will stand where the World Trade Center once stood. The skyscraper is expected to be 1,776 feet (541 m) tall, so designed to mark the year of American independence. Initial occupancy is scheduled for 2008.

 


View of Downtown and the Financial District from the harbour
 


 
 


East Coast Memorial -
and
17 State Street behind

 

 


Federal Hall in Wall Street with a bronze statue of
George Washington on its front steps
 

 

The East Coast Memorial, 1963, is located at the southern end of Battery Park. This memorial honors the 4,601 missing American servicemen who lost their lives in the Atlantic Ocean while engaged in combat during World War II. A monumental bronze eagle, set on a pedestal of polished black granite, grips a laurel wreath over a wave - signifying the act of mourning at the watery grave.

The 17 State Street, 1988. The plan of the building is in the shape of a quarter of a circle and the most striking portion of the facade, the curving wall of bluish glass, faces south, distinguishably different from the 1970s buildings that have so far dominated the immediate surroundings of the South Ferry.
http://www.wirednewyork.com/17state.htm
 

Federal Hall: This Greek Revival building in Wall Street is called Federal Hall (National Memorial) even though the building has never served as Federal Hall. But the site marks one of the city's most historic locations.
The original structure on the site was built as New York's City Hall in 1700.
When the Constitution was ratified in 1788, New York was the national capital and City Hall was renamed Federal Hall when it became the first Capitol of the United States in 1789. The First Congress met in the new Federal Hall, and wrote the Bill of Rights, and George Washington was inaugurated here as President on April 30, 1789. When the capital moved to Philadelphia in 1790, the building again housed city government until 1812, at which time Federal Hall was demolished.
The building was replaced by the current Greek Revival structure, the first United States Customs House, in 1842. In 1862 Customs moved to 55 Wall Street and the building became the U. S. Sub-Treasury. The bronze statue of George Washington on its front steps marks the site where he was inaugurated as US President in the former structure.
The Greek Revival Style (1820-50) was thought to embody the concept of Democracy.
   


The Woolworth Building

The neo-Gothic Woolworth Building was built in 1911-1913 for the Woolworth retail chain company.
Rising from a 27-storey base, with limestone and granite lower floors, the steel frame of the tower is clad in terra-cotta, glazed white to make it look like white limestone, and capped with an elaborate set-back Gothic top, with the spire rising to the height of 241.5 m.
It was to be the tallest building in the world for 17 years.



City Hall, behind the trees of City Hall Park. The Municipal Building towers above it.
 

City Hall (1803-1811), located in City Hall Park, has been the seat of New York City government since 1812. The exterior facade is French Renaissance Revival, and the interior American-Georgian style. Abraham Lincoln and Ulysses S. Grant were laid in state here, attracting enormous crowds to pay their respects.

 

 

The Municipal Building was built in 1909-1915 as the joint administration offices for the Greater New York, created after the annexation of Bronx, Queens, Brooklyn and Staten Island (Richmond) to Manhattan in 1898. The consolidation of the five boroughs into Greater New York in 1898 created the need for an impressive and suitably-sized headquarters for the city government. The building design used the Roman, Italian Renaissance and Classical styles. The 25-story block is surmounted by a central "wedding-cake" tower of spires, colonnades, obelisks and the sculpture "Civic Fame."
This building impressed Josef Stalin so much that the Moscow University main building (1949-1953) was later based on it - as well as, in general, the whole grandiose public building style in the Soviet Union.

 



East Village, the Lower East Side, Chinatown
 


Chinatown
 


East Village
 


Orchard Street,
the Lower East Side.
 


The Lower East Side
is New York's historic Jewish neighborhood which was once the world's largest Jewish community. It was here that the New York garment industry began. Today it is a favorite bargain beat (especially along Orchard Street on a Sunday afternoon).
 



SoHo
 


Above and right: T
he Haughwout Building, 1857. See more below


Cast-iron buildings (1840-80)


In 1848 James Bogardus built the first cast-iron building façade in what is now Tribeca. The technique soon became widespread as a fast, “fireproof,” economical way to build elegant European-style buildings that imitated more expensive stone precursors. In an age before electricity, cast-iron allowed for large windows that admitted more light.  Some buildings also used cast-iron for interior columns in order to create large interior spaces, for glass sidewalk vaults and stairways, and occasionally for an iron framework that was a precursor of today’s steel skyscrapers.  The buildings were constructed by mixing and matching columns and door and window frames selected from a catalog. The elements were manufactured at a nearby foundry by casting iron into molds, and transported to the construction site, where they were quickly bolted together into a finished structure. Sometimes the cast iron was combined with brick or stone. The iron was painted in dusky colors (never white, which was too expensive). Details were highlighted in a contrasting color.

Originally built as light manufacturing spaces, warehouses, and department stores, many cast-iron buildings became artists’ studios in the 1960s as artists moved into the lightfilled lofts. The artist residents were followed by the trend-setting galleries, and soon by boutiques. These drew tourists and in the 80s real estate prices climbed. Many artists, galleries, and stores fled to Chelsea, Long Island City, parts of Brooklyn, and Hoboken, NJ.
http://www.bigapplegreeter.org/images/MN_SOHO_Feb03.pdf - dead link

Cast-iron buildings in the italianate style often have a formal symmetry accentuated by pronounced mouldings and decorative details. The commercial buildings resemble Italian palaces and tend to be rectangular buildings of several, spacious stories well suited to their original purposes as work spaces. The facades usually have the following features: A flat or low-pitched roof, elaborate cornices, windows rounded at the top, columns or pilasters flanking, or separating, windows, balustrades, vertical rows of windows and horizontal belt courses giving the building a very regular, compartmentalized look.

New York's SoHo-Cast Iron Historic District has 26 blocks jammed with cast-iron facades, many in the Italianate manner. The single richest section is Greene Street between Houston and Canal streets. Stroll along here and take in building after building of sculptural facades. The most celebrated building in SoHo is the Haughwout Building (John P. Gaynor, 1857), at the corner of Broadway and Broome streets, a New York version of a Venetian palace. The handsome facade with cast iron on two sides has a window arrangement, two small, Corinthian columns supporting an arch over each window, based directly on a 15th-century, Italian design.
http://www.nyc-architecture.com/STYLES/STY-Italianate.htm
 


 
 
 


 


In imitation of New York habits Anne and I enjoy our lunch in a sidewalk cafe in SoHo, the air barely above freezing point


 


               NB: Klik på billedet for forstørrelse / Click on photos to enlarge
 



New York City Subway
&
Brooklyn Heights


Subway mural

 


 

 


Firehouse Engine 205,
Brooklyn Heights


Quiet streets in Brooklyn Heights


 


               NB: Klik på billedet for forstørrelse / Click on photos to enlarge
 



Washington, DC


 


A Taiwanese demonstration in front of the Capitol
 


The National World War II Memorial, 2004. In the background: The Washington Monument and the Capitol


Anne in front of the White House

 

 

The Vietnam Veterans Memorial (1982)
 


The Three Soldiers


 


The Three Soldiers

 

The monument was designed by Maya Ying Lin of Athens, Ohio, who at the time was a 21-year-old student at Yale University. Lin's design is a V-shaped memorial made of polished black granite. The 250-foot long walls are ten feet tall at their apex and gradually slope down to ground level.
Maya Ying Linn conceived her design as creating a park within a park -- a quiet protected place unto itself, yet harmonious with the site. To achieve this effect she chose polished black granite for the walls. Its mirrorlike surface reflects the surrounding trees, lawns, monuments, and the people looking for names. The memorial's walls point to the Washington Monument and the Lincoln Memorial. The 58,191 names are inscribed in chronological order of the date of the casualty, showing the war as a series of individual human sacrifices and giving each name a special place in history. "The names would become the memorial," Lin said.
The completed memorial has achieved what Lin and Hart hoped that it would and more. Rubbings are taken of the names by loved ones. Every day family members and friends leave momentos, and tokens of remembrance at the memorial making them as much of a legacy of the Vietnam years as the memorial itself.
http://www.tourofdc.org/monuments/VVM/
 

The Three Soldiers (also known as The Three Servicemen) is a bronze statue on the Washington, DC Mall commemorating the Vietnam War. The grouping consists of three young men, armed and dressed appropriate to the Vietnam War era. It was designed to complement the Vietnam Veterans Memorial, by adding a more traditional component. The statue, unveiled in 1984, was designed by Frederick Hart, who placed third in the original competition.

Hart's description:
"The portrayal of the figures is consistent with history. They wear the uniform and carry the equipment of war; they are young. The contrast between the innocence of their youth and the weapons of war underscores the poignancy of their sacrifice. There is about them the physical contact and sense of unity that bespeaks the bonds of love and sacrifice that is the nature of men at war. And yet they are each alone. Their strength and their vulnerability are both evident. Their true heroism lies in these bonds of loyalty in the face of their aloneness and their vulnerability."
http://en.wikipedia.org/wiki/The_Three_Soldiers

 

 

 

   

 



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Copyright Information:
All the photos on this page are © Copyright 2005 Søren Viit Nielsen.
Non-commercial web use of photos:
If you have a personal home page or non-commercial web service, please feel free to use my photographs with hyperlinked credit. That way people know who took the picture and they can also find my on-line copyright statement.
Commercial use
of my photos is negotiable. Please
email me with an inquiry.
 


Last update
December 07

                                                   
 


 

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